The immense significance of the wagon for early cultures can be seen most clearly in their notion of how the gods got around. Quite often it was in a chariot.
The Greek sun god Helios rode across the heavens each day from east to west in a golden wagon drawn by four fire breathing winged horses. Victoria, the Roman goddess of victory, coursed the sky sometimes in a quadriga, on other occasions in a two-horse biga. The Roman goddess of the moon, Luna, also cruised the heavens with two horsepower. And Zeus, mightiest of the Greek gods, and his Roman counterpart Jupiter could be seen from time to time in a wagon drawn by a team of four horses. Hephaestus, the Greek god of fire, divine smith and cuckolded husband of Aphrodite, the goddess of love and beauty, was lame from birth on. He constructed three-wheeled vehicles that were self-propelling and obeyed only the will of the gods. The chariot of the sun god Helios was also made in his divine workshop. Hephaestus himself is depicted on a winged chariot without draft animals.
By the way, Helios had a son named Phaethon. He persuaded his father to lend him his magnificent car for a ride. The journey of Phaethon ended in an earthly catastrophe when he lost control over the four-in-hand and ran off his father’s usual path between heaven and earth. The result of this trip was a huge conflagration that even destroyed entire towns. Finally, Zeus put an end to the disaster and stopped Phaeton’s ride with a lightning. The chariot was destroyed, and Phaethon was found dead in a river.
The Old Testament also tells how God appeared to the prophet Ezekiel on such a chariot without draft animals, accompanied by winged angels with human faces. «The gods of all religions have always been auto-motive,» says historian Jörg Jochen Berns. «They don’t ride and drive like humans, they don’t enter and leave like humans, they simply appear. And this kind of divine epiphany is the purest form of automobility.»
Berns, J.J. (1996). Die Herkunft des Automobils aus Himmelstrionfo und Höllen-maschine. Berlin: Klaus Wagenbach Verlag.